nice price deal !!! kaleidoscope is the first ep by the very talented and young producer individualsim from amsterdam nl. winning the grote prijs van nederland in 2010 is a great start and shows something special is going on. pure and gentle electronic music combining styles like house, ambient, jazz, dub and pop without ever being predictable. this first vinyl release features four tracks that show a great amount of creativity and the vision it takes to transform certain feelings into music. limited to 200 copies, pressed on crystal clear vinyl.

auf -ennanga vision- begleiten wir den londoner produzenten jesse hacke (owiny sigoma band, elmore judd, gorillaz) auf einer klangreise, die uns von der englischen kapitale nach uganda führt, und damit von der hauptstadt des pop mitten ins herz von afrika. co-steuermann und erster kollaborateur von hacke ist der ugandische sänger und multiinstrumentalist albert ssempeke. bei ihrer eigenwilligen, um nicht zu sagen abenteuerlichen unternehmung erhalten die beiden beistand durch eine reihe von gastsängern aus dem norden ugandas, die unter der dortigen bevölkerung einen legendären ruf genießen. damit setzt sich die formation aus einer runde von experten zusammen, welche die dj-ikone gilles -acid jazz- peterson zu den worten -one of the finest musicians, thinkers and world selectors in the uk- hinriss. sie sorgen für einen hypnotischen sound, der traditionelle ugandische folk-musik mit aktuellem pop der westlichen hemisphäre zu einem organischen ganzen verschmilzt. dabei findet die einsaitige, für afrika so typische geige genauso ihren platz wie eine 200 jahre alte mundharmonika. für das infektiöse klangbild bestimmend sind jedoch in erster linie elektronische instrumente aller art sowie parallel gespielte xylophone.

a soundtrack for the contemporary -vinti- (defeated) with its dark and at the same time sparkling flavor of the 80s sounds between cold wave, synth pop and imaginary electronic atmospheres. this record with its horror-framed and distopic scenario (-slot machine-) reveals a content of social criticism healed through the warm and evocative indulgence of -che male c e-.

rising irish act talos delivers his debut album - 13 tracks of beautiful, atmospheric electronic pop. includes the singles �your love is an island�, �odyssey� and �in time� - first time on vinyl! mastered by john davis at metropolis. limited pressing, hi-gloss finish, includes 12�x12� insert and mp3 download code.

suction records is thrilled and honoured to announce the reissue of d arcangelo s self-titled debut ep for rephlex, the legendary uk label run by aphex twin and grant wilson-claridge from 1991-2013. d arcangelo are the italian duo of brothers fabrizio and marco d arcangelo, active in the underground electronic scene under various aliases since the early 90s, and still going strong today. released in 1996, their rephlex debut -d arcangelo- was one of the first releases to make a firm connection between contemporary idm/electronix and the sound of 80s synth pop. the 3 tracks on side a are ripping, industrial-strength electronix, as fierce, crunchy and menacing anything aphex twin himself had released at the time. in sharp contrast, side b s 3 tracks are playful, clean and melodic instrumental synthpop, with clear synthetic references to bands like depeche mode and omd. it was a sound that was certainly not in fashion at the time, and helped the ep stand out in 1996, for that very reason.

their 5th album titled, the fifth state of consciousness, is a double lp produced in peaking lights dreamfuzz studio over the last two years. it s both a departure from the new and a return to the old with a whole new twist on the psychedelic dub-pop they ve become know for. self released...from the heart! gatefold sleeve. big tip!

since its 2000 release this influential record, which heralded the return of alternative hip-hop, has never seen a vinyl reissue. with that, get on down-always on top of giving the greatest hip-hop albums their due-is proud to present this re-release of the platform. the rhymes are still fresh, the production is still pristine, and the album is now back on vinyl for the first time in 17 years.

the acclaimed debut of the dutch band the father and the sun is finally pressed on vinyl. compared by many to future islands or the national, the young band has shacked the indie scene on the center of europe with �remember�, a perfect blend of synthpop and indie rock / post-punk surrounded with classic pop vocals , mindblowing guitar and bass lines and evocative synth touches. no doubt about we are in front of one of the most interesting records of the year. all tracks remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

with just one 7inch release to their name in the form of the 1981 release, jive baby on a saturday night, the cult of the jellies was possibly accidentally assured with the long lost song being rediscovered by collectors and championed by sonic youth s thurston moore no less. picked up and reissued by the stellar trunk records in 2010, the b-side cut, however, was sadly overlooked. now emotional rescue are proud to license the conversation and remaster it especially for this rerelease. based around a simple drum and bass rhythm, interspersed with crowd noise, playful female vocal yelps and sprinkled with dub effects thrown in to the mix and you wouldn t probably think too much would be going for a track that the band put together in the last two hours of their studio time after jive baby had been completed. however, what you get is a killer gem of pop-punk-dub oddness that gets your head nodding to its infectious, repetitive rhythm laden with effects. with just this one (perfect) track available for license it seemed only right to hand it over to the in-house production team, apophenia, to do their increasingly trademark dubbed out reworking, this time in the form of a true, but respectful version for the flip. with both members of the jellies sadly now living overseas this piece of early 80s british dub as it were, can now be fully treasured for posterity while also, proving a nice little smokers delight.

after one year of high energy industrial and punk-leaning music, kess kill presents something slightly more contemplative: the vinyl debut of the swedish act grand mal x. the solna based duo started in 2010 and was first known from the cassette scene, which was also where we stumbled across their work. drawing from a long and wide palette of influences � from osho dynamic meditation and eu highways, to artists like suicide, coil and rune lindblad � their music breathes an ethereal yet catchy air, a difficult line to tread. the fact that one of the members is active at the legendary experimental ems studios in stockholm might be the reason for the unusual amount of depth and maturity, steering the music sternly away from the plainly accessible. opener �late night call� is a brooding and growling number perfect for setting the mood in any room or occasion needing an infusion of sweaty sexual energy. �speed of light�, the record�s most up-tempo song, leans towards both synth pop and electro-punk. on the flip �the trip� does the exact opposite of the opener, winding things down both emotionally and energy wise, replacing sex appeal with lithium-lined angst, not unlike alan wilder at his deepest. ending the ep is �rabbit�, an unadulterated trip down a similarly named hole for those who feel like falling. summed up it�s the most abstract but surprisingly catchy kess kill release to date, an essential beacon in grasping the label�s concept.

peripheral minimal is proud to present the new 12inch by the french electronic pioneer, philippe laurent, entitled, phoenix. this will be philippes second release on peripheral minimal after the infectious synthetic classic 12inch, mithra. phoenix is a three track ep featuring two brand new tracks on the a-side, phoenix (featuring philippe s trademark robotic vocals), and, agapao. meanwhile over on the b-side, we have the 13-minute electronic opus and highly representative of his early work, exposition 4, a never before released track from philippes extensive archive, and recorded in 1982. the e.p. is representative of philippe s latest forays into contemporary synth music, but still with a retro futurist edge and influenced partly by german pioneers kraftwerk/late 70s kosmische and au courant electro/synthwave acts, fitting into the current enthusiasm for early 80s synth pop and minimal wave. the ep is presented on white vinyl and limited to 300 copies. mastering by martin bowes @ the cage.

editions mego is pleased to welcome danish loke rahbek (damien dubrovnik,croatian amorand posh isolation) to the fold. known for countless creative and commercial endeavours loke presents his first solo full length under his own name. as with all of loke s output city of woman harnesses the radical with the aesthetic in a manner of extreme pleasure for all who encounter. harnessing his thorough knowledge and experience in extreme electronics, melodic encounters and sultry showmanship loke ties together disparate threads of various underground movements to create a singular and deeply personal journey through industrial temptation, noise refraction and melodic seduction. this is 21st century pop music. one which dismantles previous held borders of sound to present a wide palate of sound, song, abstraction and intense emotion.

new album from philippe hallais, aka low jack blissed out and emotive instrumental ambient pieces somewhere between shoegaze, dream pop and futuristic 1980�s documentary music

(180 g vinyl) there is something wonderfully uplifting and naive about the mittle european b-movie pop and library music of the 1970s. an imperfect perfection of sound palette and melody, creating & encapsulating a whole world of hypnotic intrigue.this feeling is what comes to mind when listening to the debut album of californian scott gilmore, which is reminiscent (in more modern times) of the pre moon safari air.

lo-fi größe matt jones veröffentlicht erstes crescent album nach zehnjähriger pause! wenn musiker wie die indie-größe matt jones eine zehnjährige pause zwischen der veröffentlichung zweier alben einlegt, dann ist das ein qualitätssiegel! Ähnlich seiner bristoler fachkollegen flying saucer attack oder movietone arbeitet er nur dann an neuem material, wenn er es für richtig und wichtig hält. dieses selbstbewusstsein ist jedem ton der neun songs auf -resin pockets- anzuhören, dem ersten album seit der crescent-veröffentlichung -little waves-. es ist ein album geworden, das sich sein eigenes plätzchen im britischen outsider lo-fi-pop schafft. eine zusätzliche prise des anti-folk-feelings macht aus resin pockets ein werk voller zeitloser melodien, bewegender texte und einem ganz besonderen gefühl sommerlicher intimität.

2x12 inch lp, 180g vinyl, cut at 45rpm, with printed deluxe sleeve by designers republic.
on millions, olsson effortlessly spans genres including dance, indie, pop and more in-between. opener hold on - a collaboration with the sharp tongue of sweden�s mapei - leads with a classic hip-hop beat before breaking into a danceable indie swagger, and has already seen olsson achieve high profile acclaim from the likes of zane lowe, noisey and more. elsewhere on tracks such as this heat and satellite (only analog talks), olsson channels a 90s rave influence while also delivering a gnarled brit indie rock bite, which plays like the tripped-out love child of kasabian and jungle.

what does teen spirit smell like, anyway? it might smell something like noise addict. like the real life stars of some sort of choose-your-own-adventure book about pursuing rock stardom, few bands ever led a more charmed existence, springing from the sydney suburb of bondi into seemingly overnight international fame as friends and collaborators of sonic youth, fugazi, and the beastie boys. through a combination of relentless drive, luck, and an admirable lack of self-doubt, noise addict spanned puberty to surpass the haters and join radio birdman and nick cave as a strange but permanent piece of australian punk history.
compiled here are 25 tracks, including their evan dando-worshipping satire �i wish i was him,� the thurston moore produced demo, choice cuts from their grand royal-issued ep and lp, and covers of �let�s lynch the landlord� and �back in your life.� the entire sordid adolescent tale is covered in incredible detail inside the black and white 16 page zine. and finally, for the first time in the history of record pressing, and for no good reason at all, the cover for 10.000 kids with guitars doubles as a working chalkboard.
limited to 2000 copies on black vinyl.

the internationally celebrated artist, award winning singer and composer camille releases oui her fifth studio album and first for because music on june 2nd. recorded over a year in la chartreuse, a 14th century monastery-turned-artists residence in avignon, france oui is a cornucopia thrumming with folk, hymns, ballads, pop, lullabies and breathtaking a cappella

original motion picture soundtrack for t2 trainspotting on double vinyl, housed in a gatefold sleeve with download code included.

12 x 12 inch karton-schuber mit 8 alben auf 9 mal schwerem vinyl + downloadcode (�the mix� ist ein doppel-vinyl). neue aufnahmen (2012 - 2016) aller kraftwerk-alben in ihren deutschen versionen:
- autobahn
- radioaktivität
- trans europa express
- die mensch-maschine
- computer welt
- techno pop
- the mix (2x12 inch)
- tour de france

die beigefügten hörbeispiele sind nur ein kleiner auszug aus der 69 titel umfassenden gesamtliste.

während malermeister ihr fachgebiet über ihr lebenswerk definieren, definieren kevin martin und dylan carlson aka the bug respektive earth ihr genre jeweils seit mehr als 20 jahren selbst. dabei verbindet sie ihre gemeinsames interesse fast schon die besessenheit für das extreme. sie begeben sich auf die suche, begutachten und brechen mit vorherrschenden grenzen zwischen dem schönen und unschönen, dem minimum und maximum, dem licht und der dunkelheit und machen dabei musik, die aufregender nicht sein könnte. earth und sein gründer dylan carlson, tauchten in den frühen neunzigern das erste mal mit ihrem sub pop release -earth 2- auf der bildfläche auf. mit langsamen, verzerrten, dumpfen und minimalistischen riffs war ihr debüt der entwurf dessen, was dylan zu dieser zeit mit ambient metal beschrieb, ein stil wie er auf seinem letzten southern lord release primitive and deadly weiter vorangetrieben wurde.
das doppelalbum (1x weiß, 1x grau marmoriertes vinyl) erscheint im klappcover, inklusive bonus-ep (rotes vinyl) und downloadcode.

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it�s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton�s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain�s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12� releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

geniales, zweites album des westlondoner indie-pop-trios theme park nach ihrem debüt 2013 auf trangressive. luftige, psychedelische pop-melodien korrespondieren mit tropical-grooves, disco-vibes und launischem 80�er pop, mit elastischen bässen, schillernden gitarren und reichhaltigen synths, was die britische presse jubeln lässt. im herbst touren theme park ihr neues album auch hierzulande.

nice price deal !!! red sign/acid eyes is the first single to be taken from kap bambinos brilliant second album blacklist, due for release in may. two short sharp shocks of pure aural adrenalin at just over two minutes long, these tracks are a perfect re introduction to one of the most original and exciting new bands of recent times. since the release of their debut album zero life night vision, a brilliant slab of noise pop which was released in february 2008, kap bambino have toured incessantly and have become huge on the underground selling out 1000 capacity venues in the states and europe on a regular basis.

�a safe place to be naked� is s. fidelity�s debut album, which will be released on may 5th via jakarta records. it features 12 tracks, capturing the producer�s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in berlin. evolving from there the he has also released an ep with feelin music in 2014, and �sidekicks�, a joint project with long-term friend and collaborator bluestaeb in 2016. by working with artists like tru thoughts singer harleighblu and label mate juju rogers as well as fellow producers bluestaeb and shuffle jack, his lp �a safe place to be naked� plays with sampled vocals and even his own voice � often distorted, but still present. s. fidelity was born in st. gallen, switzerland, mainly works in berlin and currently resides in london. as a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. s. fidelity�s laid-back eclecticism is marked by a deep knowledge and fascination for pop culture as a whole. his idea of fresh hiphop references to various genres, including jazz, ambient, disco and electronica. the lp contains an a2 poster & download code.

77 mins (abridged) version of full-length release containing music from all 8 albums on double heavyweight vinyl. this is the english version (vocals & track names where available).

repress! 2lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

birthed from deep within london s burgeoning jazz resurgence, native dancer have been setting levels across the capital s live scene (and beyond) over the past two years. five individual artists who together set out to create a music that speaks from the heart and denies none of their influences in a genre twisting mashup of styles with elements of pop, soul, electro-funk, jazz, rock and dance music. submit records release native dancer s eps vol. i & ii on 12- vinyl with gatefold sleeve. limited to 500 copies, the release features an eric lau remix of big blue and a digital exclusive remix of in clouds by slugabed. already having received airplay from gilles peterson, marcia carr, support from alexander nut (eglo records) and afropunk - native dancer are one of london s most promising musical prospects, and submit001 sees their remarkable duo of eps pressed to wax for the very first time.

�? (fragezeichen)� (german for �question mark�) is the second album by german pop-rock band nena. it was released in 1984, just a year after the band�s first album nena (movlp1496). the album�s title track was co-written by nena and the band�s keyboard player jörn-uwe fahrenkrog-petersen. it reached #3 in the german charts in 1983.
limited edition of 1.000 individually numbered copies on transparent red 180g gram vinyl.

the fourth studio album from enigmatic pop impresario sia illuminates the playful, yet sophisticated spirit of an emerging force in pop music. originally released in 2008, it�s now available for the first time on vinyl. the double lp is housed in a gatefold sleeve with artwork faithfully adapted from the original release.

one of the most unconventional techno tracks which were released during the last years. catchy pop like and unbelivieable dark at the same time. h-friend starts at the peak and then progressively reduces itself into an intro that is actually the outro of this song. (black) devil like totally reverted

the burning hot minimal synth pop song

al sunny is a young composer emerging from the french soul music scene. soon after learning the guitar, he started composing and became involved in numerous projects and collaborations. al has been influenced by pop, rock, and electronic music, always with a foundation in the �black� and �soul� sound.

passafire s longshot, the full-length follow up to vines (2013) and the interval ep (2015), finds the band continuing to stretch in new musical directions, while still maintaining a strong core of reggae elements. some songs tread into 90s grunge, hip hop and even current pop, but for hardcore passafire fans, this genre-bending style will come as no surprise for a band that has always pushed itself through experimentation, with a foundation of hummable hooks and vicious musicianship. a guest spot by rapper mr. lif also contributes a new angle on the song -blow. vines debuted at 1 on billboard record chart.

auf seiner neuen 5-track ep präsentiert das bristoler trio elder island elektronischen leftfield-pop mit neo-soul-elementen, eklektischen bässen und einem leichten funk-twist.

much could be said about german house royalty boris dlugosch. from his teen dj years under the wings of fronts legendary klaus stockhausen in hamburg to his own marvelous tenure there that is pretty much synonymous with the explosion of acid house in its proto- and post-incarnations. one could examine his role as a herald of us garage and jersey house or as a remixer of underground gone pop records. but we will leave that and other stories for the front page soon. the traveller ep is the result of dlugosch and cassara meeting at a mutual friend of theirs, getting excited about their shared love for classic synths (see sh-101 for the traveller bass line) and exploiting the latter�s extensive synth collection. what you get: classic disco, french house, electro-funk, dj sound effects (that tractor plowed the front every night) and most of all fun, fun and a little bit of extra fun. chin-stroking impossible.�

77 mins (abridged) version of full-length release containing music from all 8 albums on double heavyweight vinyl + download code. this is the german version (vocals & track names).

when martin hossbach asked dirk von lowtzow whether he was interested in covering a song of hossbach�s favourite english pop group, pet shop boys, he immediately said yes. von lowtzow chose »i want a dog«, the b-side of »rent«, also featured in an epic frankie knuckles remix on the album.

college ist eines der musikalischen projekte des französischen musikers david grellier, der auch als valerie und mitch silver bekannt ist. der film-soundtrack zu �drive� machte ihn über nacht berühmt. der song �a real hero� von college war einer der beiden pop-tracks (mit �under your spell� von desire), welche die schlüsselszenen des films untermalten und den soundtrack so berühmt machten. �shanghai� ist ein konzeptalbum, welches stimmungen dieser stadt reflektiert. dies hört sich über weite strecken wie ein imaginärer soundtrack im 80s electro-gewand an. mit dem stück �love peas� ist gewissermaßen ein chinesischer song geboten, der in die fußstapfen von �a real hero� treten könnte. fans von johnny jewel/chromatics sollten hier herein hören!

erster teil des auf insgesamt 5 lps ausgelegten zyklus namens �ages�. white violet sind die ambitionierten amerikaner nate nelson und brad morgan, die ihren melodiösen indie-pop mit gitarren und elektronischen equipment realisieren. damit erinnern sie musikalisch an bands wie real estate oder day wave. das album erscheint bei normaltown records, einem sub-label von new west records. ein downloadcode liegt dem vinyl bei.

doppel-ep auf pink & blau gefärbtem vinyl, inklusive downloadcode für das komplette release plus bonus-track �that thing�.
zum einen sind da die verschwommenen, direkten songs von �never going home� mit denen hazel english ihre erste aufmerksamkeit erlangte, zum anderen ist auf �just give in� die blühende, kreative partnerschaft mit jackson philips (aka day wave) zu hören. die beiden trafen sich, als hazel in ihrer wahlheimat oakland in einem buchladen arbeitete und jackson, auf dem weg seinen synthesizer reparieren zu lassen, kurz vorbeischaute. die beiden kamen ins gespräch und beschlossen kurz darauf zusammen musik zu machen. eine zufallsbekanntschaft ohne die diese doppel-ep vermutlich nie zu stande gekommen wäre. jeder der songs hat eine zeitlose, sonnengeküsste Ästethik inne, die von hazels direktem stil und ihrer pop-sensibilität nochmals hervorgehoben wird. hochansteckender dream-pop trifft auf ehrliches songwriting. auf einem beach-pop-fundament aufbauend schafft es hazel english mit �just give in / never going home� einen vibe zu erschaffen, der sich in jeder umgebung wohlfühlt.

l.a. takedown, das sind sechs musiker die sich, natürlich in los angeles lebend, um den multiinstrumentalisten und filmkomponisten aaron m. olson versammelt haben, um dessen vision von rockigen film soundtrack texturen und melodischem pop zu einem album zu vereinen. aufmerksamen kennern der instrumental musikwelt wird olsens solo-album l.a. takedown, das 2015 erschien, noch in erinnerung sein. der sound von l.a. takedown vertraut auf den hörer und dessen ganz eigenes kopfkino. mal ätherisch, mal fieberhaft, mal heftig groovend und dann wieder betäubend wie rauschgift bezieht sich das album schlussendlich doch immer wieder auf die harmonien der gitarrenwelt. inspiration holten sich olsen und seine mitmusiker bei künstlern wie king crimson�s robert fripp, dem japanischen komponisten tori kudo oder dem nigerianischen musiker king sunny adé. der nachfolger von l.a. takedown�s selbstbetitelten album ist das erste album von olsen, für das er eine ganze band mit sich bringt. da wären keyboarder ryan adlaf und jonah olson, gitarrist miles wintner (girlpool) und stephen heath (paul bergman), schlagzeuger mose wintner und bassistin jessica espeleta (weird war, love as laughter).
das limitierte grüne 180 gramm vinyl erscheint inklusive downloadcode.

l.a. takedown, das sind sechs musiker die sich, natürlich in los angeles lebend, um den multiinstrumentalisten und filmkomponisten aaron m. olson versammelt haben, um dessen vision von rockigen film soundtrack texturen und melodischem pop zu einem album zu vereinen. aufmerksamen kennern der instrumental musikwelt wird olsens solo-album l.a. takedown, das 2015 erschien, noch in erinnerung sein. der sound von l.a. takedown vertraut auf den hörer und dessen ganz eigenes kopfkino. mal ätherisch, mal fieberhaft, mal heftig groovend und dann wieder betäubend wie rauschgift bezieht sich das album schlussendlich doch immer wieder auf die harmonien der gitarrenwelt. inspiration holten sich olsen und seine mitmusiker bei künstlern wie king crimson�s robert fripp, dem japanischen komponisten tori kudo oder dem nigerianischen musiker king sunny adé. der nachfolger von l.a. takedown�s selbstbetitelten album ist das erste album von olsen, für das er eine ganze band mit sich bringt. da wären keyboarder ryan adlaf und jonah olson, gitarrist miles wintner (girlpool) und stephen heath (paul bergman), schlagzeuger mose wintner und bassistin jessica espeleta (weird war, love as laughter).
das schwarze 180 gramm vinyl erscheint inklusive downloadcode.

bryan simpson, seines zeichens der mastermind der the whistles & the bells beschreibt das konzept von �modern plagues� so: �ich stelle mir eine dinner-party vor, bei der ich einige meine lieblinge der zeitgeschichte einlade. sagen wir personen wie abe lincoln, john lennon, joan of arc und truman capote. das ganze findet samstag-abend auf coney island statt, soren kierkegaard und malcolm muggeridge essen hot dogs und zuckerwatte und diskutieren ihre ideen, - es wird immer lauter und wilder. die stimmung habe ich versucht mit diesem konzept-album klanglich einzufangen!�. musikalisch muss man sich auf eine entsprechende mixtur einstellen: indie-pop trifft auf banjo, heiterer funk auf rock, hier ein paar bläsersätze, da eine soul-sängerin. wild, inspiriert und frei von musikalischen barrieren.
die vinyl-lp erscheint inklusive downloadcode.

tanzbarer indie-rock von einem newcomer-trio aus london.
das junge trio little cub aus london genießt in seiner heimatstadt den ruf, einer der aufregendsten newcomer der stadt zu sein. gepflegt subversive bescheidenheit, opulente und bewegende elektronsiche einflüsse ganz im einklang mit dem hausgemachten, progressiven brit pop feeling. so versteht sich das trio auch als kontrastmittel zu der oft geistlosen pop musik, die sie sonst umgibt. mit ihrem gesellschaftsblick sind sie zusätzlich auch die band für eine post-brexit party: politisch, melancholisch, ernüchtert, anti-aktionistisch. und trotzdem geladen. so erzählt das debütalbum still life vom leben in london der 2010er jahre, von menschlichen niederlagen, gesellschaftlichen tragödien, nächten in clubs und tagen in buchhandlungen. dazwischen kommt und geht die liebe mit den gezeiten.
limitierte goldene heavyweight lp mit achtseitigem booklet und mp3-downloadkarte inklusive bonus remixen.

close talker zählen zur neuen kanadischen generation des progressive pop und veröffentlichen mit lens nun ihr bereits drittes album. schon der vorgänger wurde in kanada zum independent album of the year gekürt. lens mag eines dieser alben sein, die sich nicht gleich beim ersten hören erschließen. vielmehr steigert sich die qualität von mal zu mal, ständig entdeckt man neue nuancen, technische spielereien und eine vielfältigkeit, die besonders unter dem kopfhörer seine ganze pracht entfaltet. es zieht einen mehr und mehr in seinen bann und man kann von einer sucht sprechen, die niemals enden soll. ihr talent, ihre sensibilität sowie ihr händchen für songwriting ist erstaunlich und dazu ist ihre musik so herrlich zeitlos, so reif und doch so modern dieser vermeintliche widerspruch erschließt sich beim hören dieses wunderbaren werks.

disposición asoleada (spanish for sunny disposition) is the moniker of the ecuadorian music citizen³ david jarrín. active in the brussels psych and noise scene since 2003, his explorations range between acoustic lo-fi experiments to eerie soundscapes, from glitch electronics to raga oriented transfigurations on a six string banjo. lexi disques is proud to present his first vinyl: two atmospheric and tense pieces haunted by andean ghosts and the evocation of hidden voices in the spoil piles of history. lexi disques is a microlabel based in brussels since 2008 and specialized in 7�. it explores the possibilities of the short format on experimental or adventurous musicians from psych-pop to straight electronics, from local fresh faces to underground heroes.

exploring the expressivity within intense states of being, latinx identity, and pluralistic sensibilities, helado negro�s �private energy� is an engrossing statement achieved through lyrically personal and political avant pop music. for its first ever vinyl edition, helado negro�s acclaimed album is remastered, redesigned, and expanded over two lps with three brand new �versions.� gatefold double lp includes a high-quality digital download and lyrics zine.

quietly building an enthusiastic following with a steady stream of eps and singles, m.o.o.n.�s debut full-length �clinically blasé� creatively navigates a wide range of emotive synthesizer music deviating from dancegeared tropes in favor of freer arrangements and lush instrumentation. while the rhythms are rooted in variants of house, boogie, and synth-pop clinically blase never tips it�s hand stylistically in any particular direction resulting in a playful balance of retro sounds and futuristic ideas highlighting a deft melodic sensibility.